THE FRENCH DISPATCH REVIEW

It’s a classic Wes Anderson film, truly a marveoluos work of art under artistic terms. The color palette, the cast and the costume design were on point. Even though, I can’t help but wonder, why are the stories so boring? I mean, the the film it’s so detailed oriented but when it comes to each section, it kinda of changes it’s pace, but it’s just an observation. The movie is insanely good.

Some roles are merely cameos, while others, with their dry humor and smart one-liners, leave an indelible impression. Every actor and actress here, regardless of their individual screen time, brings their A-game to the subtleties of their role. Some roles are merely cameos, while others, with their dry humor and smart one-liners, leave an indelible impression. It's a visually magnificent film that pays tribute to journalism, French culture, and The New Yorker magazine's elegance. It's a work of art that transports you to a fantastical and colorful world. It's a breath of fresh air for film in the year 2021. Broadly speaking, it's charming and eccentric, but its audience will be as small as Anderson's past works, making it feel even more like an art-house film.

Both Timotheé Chalamet and Elizabeth Moss stole the show on this one, the killed every bit of the movie without hesistation.

If you don’t like an exarbuted piece of work, don’t watch. It’s not worth it if you are mainly interested in the story of the film itself. Anderson’s exentric style it’s all over the place, his signature really paid off in this one.

Overall, The French Dispatch it's a moving piece of art, each frame, each story. It's a love letter to journalism and freedom of speech, one which i greeatly appreciate and treasurely value.